K.V.Narayanaswamy is an outstanding vocalist. Word, melody and rhythm fuse smoothly and beautifully in the style of music he has evolved for himself, after assimilating the well-known and much admired style of his teacher, Ariyakudi. The genuine emotion with which he sings the compositions of the masters makes him one of their best interpreters. His excellence in raga alapana and technical decoration is studied and thoroughly satisfying. His intelligent usage of the voice heightens its sweetness, clarity and sruthi-unision. He has great respect to the mridangam maestro, Sangita Kalanidhi Palghat Mani Ayyar who shaped his career and to the Master of concerts, Sangita Kalanidhi Ariyakudi Ramanuja Ayyangar. Made his debut at the Tyagaraja Aradhana, Tiruvaiyaru in 1940 and sang in 1947 at the Madras Music Academy. Sang in 1956 at the Rashtrapathi Bhavan, Delhi.
K.V.Narayanaswamy
is noted for his remarkable tonal and sruthi sensitivity and balancing
his selections from among weighty and light ragas, compositions and even
languages. He is able to generate a spiritual atmosphere in the concert
hall while presenting devotional pieces emphasising and drawing out the
emotional appeal of each. He is a genuine devotee of classicism born out
of a long period of faithful apprenticeship under a great master. K.V.Narayanaswamy
has had rich and varied practice and experience in India and abroad. His
eminent standing has been utilised indifferent spheres. He has received
praise and various honours from different directions :
Kerala State
Sangita Natak Academy Award in 1970
Geetha Bushanam
by Bharati Society of America in 1975
Padma Sri
by the President of India in 1976
Sangita Natak
Academy Award, New Delhi in 1977
Honoured by
the Sangeetha Peeth, Bombay in 1978
Sangeetha
Kala Nipuna by Mylapore Fine Arts Club in 1982
Gayaka Choodamani
by Tulaseevana Sangeetha Parishad, Trivandrum in 1983
Sangita Ratnakara
by Bairavi Indian Fine Arts Society, USA in 1985
Asthana Vidwan,
Pittsburgh, Cleveland in 1985
Sangita Kalanidhi
by Music Academy, Madras in 1986
Sangeetha
Kala Sikhamani by Indian Fine Arts Society, Madras in 1989
K.V.Narayanaswamy
carries on the Ariyakudi style and is a respected top vocalist.
SANGITA
KALANIDHI K.S.NARAYANASWAMI AYYAR - VEENA MAESTRO.............(b. Sep 27,
1914)
Born at Koduvayur
near Palghat of Koduvayur Sivarama Ayyar and Narayani Ammal he had his
musical training under his brother K.S.Krishna Ayyar from his 7th year
to 14th year. He joined the first batch of students of the Music College,
Annamalai Univeristy and studied under the stalwarts T.S.Sabhesa Ayyar
and Ponniah Pillai, Desamangalam Subramania Ayyar in veena and Ponniah
Pillai in mridangam.
Titles &
Honours
Kerala State
Award in 1962
Tamil Nadu
State Award in 1968
Sangeet Nataka
Academy Award in 1968
Padma Bushan
Award in 1977
Sangita Kalanidhi
from the Music Academy, Madras 1979
Narayanaswamy
Ayyar is a symbol of the confluence of the cultural traditions of
Kerala, TamilNadu and Maharashtra. His disciples include Dr.V.K.Narayana
Menon and Dr.(Prof.)M.S.Subbulakshmi.
TRICHUR
NARENDRAN - MRIDANGISTT.............(b.1951)
Born at Kunnamkulam,
Tirchur district, Narendran is an Economics graduate. From the age
of seven, he was having training in mridangam successively under K.P.Namboodri,
Koduvayur Radhakrishnan and Palghat Raghu, the renowned artiste.
After his debut at the age of ten, Narendran, has been having hundreds
of concerts on All India Radio, Doordarshan, sabhas, etc. He has
pleasing rendition and has a good repertoire. He taught Indian Classical
Percussion during 1984-86 at the San Diego State University.
TIRUVIZHIMALALAI
S.SUBRAMANIA PILLAI & S.NATARAJASUNDARAM PILLAI - NAGASWARAM DUO
Subramania
Pillai born on January 1, 1895 and his younger brother, Natarajasundaram
born on March 21, 1900 were sons of A.R.Swaminatha Pillai and Sivabaghyam
Ammal. The elder lived upto a ripe age (June 4, 1984). They had their training
in music under Swaminatha Pillai and the illustrious vidwan, Vaidyanatha
Ayyar of Konerirajapuram, which lies closeby. The brothers were the best
accredited and most famous duo in nagaswaram for several decades, respected
for their melodius and classical play. Were noted for their rich repertoire
of songs and fascinating rendition of kritis and swara. It was a period
of stalwarts like T.N.Rajarathnam, P.S.Veeruswamy Pillai and Tiruvenkadu
Subramania Pillai. The duo of Tiruvizhimalai were responsible for raising
the dignity of nagaswaram artistes and were the first secretaries of Tyaga
Brahma Sabha, Tiruvaiyaru from 1933, a tribute to their eminent stature
among musicians.
Subramania
Pillai was the recipient of honours like :
Sangita Natak
Academy Award in 1962
Sangita Kalanidi
from Music Academy, Madras in 1957
Sangita Kala
Sikhamani in 1972
Isai Perarignar
in 1974
Tani Perum
Kalaignar in 1980
A.K.C.NATARAJAN (CLARIONET)
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Born in Thiruchirapalli,
he learned music from Alathur Venkatesa Ayyar of the celebrated Alathur
brothers. He learned Nadaswaram from Illupur Natesa Pillai and learned
Clarionet from his father Shri A.K.Chinnakrishnan. Natarajan made his debut
in 1946.
With his training in Nadaswaram, Clarionet and music from a celebrated vidwan, he has proved his ability to give classical exposition on the non pliable clarionet. A.K.C.Natarajan received many awards - "Clarionet Chakravarthi" from the Maharaja of Mysore in 1969; "Isai Perarignar" from the Tamil Isai Sangham of Chennai in 1988; Asthana vidwan of Dharmapuram, Tiruvavaduthurai and Kanchi Kamakoti Peetam. |
Was born at Tirumarugal in a family of nagaswaram players. Natesan attained dizzy heights in the field of music with is matchless artistry, meticulous adherence to tradition, divine melody that flowed out of his nagaswaram and the superlative imaginative play. He touched the hearts of man and animal. Ragas like Kanada, Atana and Sahana found their aesthetic delineation and brilliant elaboration at his hands. At the festival of Chennakesava Perumal temple at Madras, Natesan and Ramaswamy of Semabanarkoil, another player of repute were presented with golden nagaswarams in appreciation.
Natesan was at the pinnacle of achievement, fame and glory and was under 25 when the world lost him. Sarabha Sastri, the divine flautist too died at the age of 32. Probably, celestial greats in each field like Sankara, Vivekananda, Alexander, Sarabha and Natesa are not to shed their radiance and fragrance more in a single planet. He respected age and great artistes. He admired Sarabha Sastri as his chosen God. What Sarabha elaborated in Kamboji in the evening, Natesan repeated it in extenso at night; Sarabha called him "Eka Santha Grahi" - one who masters on a single hearing.
NILAKANTA
SIVAN - COMPOSER.....................................(1839-1900)
Sangita Kalanidhis
Musiri Subramania Ayyar and Semmangudi Dr.R.Srinivasa Ayyar chose the best
of the pieces of Nilakanta Sivan:
'Enraikku
Siva Krupai Varumo' - Mukhari
'Ehaparam
tharum perumal' - Khamas
'Navasiddhi
petralum' - Karaharapriya
for their
disc recordings decades back and they could not have chosen better songs
for the excellence of composition, sublimity of the content and message,
marvellous scope for raga elaboration and spiritual appeal to the intellectual
and the lay public. The grandeur of conception, the inspired divine
ecstacy revealed in them, the mastery in the art of composition and the
felicity of expression have rendered the songs of Nilakanta Sivan highly
popular. 'Ananda nadanamaduvar' - (Poorvikalyani), 'Sambo Mahadeva'
- (Bhoopalam), etc. are the envy of composers. About 1500 verses
in 150 padigams mainly in Khamas, Kambhoji, Mukhari and Surati are all
to guide the people to spiritual revelation and Divine presence.
He conveys the message of the seers of India that 'true knowledge, pure
devotion, absolute surrender and strict adherence to the spiritual, religious,
moral values make life richer.' His output and outpourings were colossal.
he assumed the name of 'Nilakanta Dasan' after the name of the Deity of
Padmanabhapuram.
Born at Padmanabhapuram
in Kanyakumari district, called 'Subramanya' in younger days, Nilakanta
Sivan was a precocious child whose sharp intellect and composing talents
were noticeable early. he led bhajan ghoshtis (parties) and for fifteen
years was a village magistrate. he resigned when he was asked to
cook up evidence in a case. His agonising reaction is reflected in
the song 'Ennavidam Pizhaipom' - (Mukhari), wherin he laments:
'Days of fences
guarding crops had gone,
Even days
of fences eating the crops had vanished.
Now the fence
has started eating even the earth.
What would
happen henceforth?
Time has entered
on evil days.
He had no practical training in music. Mysticism and erudition innate in him probably got released after his contacts with Kodaganallur Sundaraswamigal. He was giving musical discourses also.
The rulers of Travancore and Cochin and the Rajahs of Ramnad and Pudukottai honoured him. like Muthuswami Dikshitar, he is credited with bringing rains by invoking God. he anticipated his death and breathed his last at Trivandrum amidst bhajans. Sangita Kalanidhi Papanasam Sivan was his disciple and no wonder the two Sivans have been beacon-lights in Carnatic music with their immortal compositions in Tamil which have been the delight of the musician and the music-lover.
S.NITHYASREE
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Born on 25th
August 1973, Nithyashree hails from a family of eminent musicians. She
is the grand daughter of the great exponent of Carnatic music, Smt D.K.Pattammal
on the paternal side and the Great Mridangam Maestro Palghat Shri T.S.Mani
Iyer on the maternal side. She had her training in Carnatic vocal under
the able tutelage of her mother Smt Lalitha Sivakumar and also from Smt
D.K.Pattammal.
She started giving public vocal concert from the year 1987 and never looked back. She is an 'A' grade artiste of AIR, Chennai. She has won many prizes while in school and college. She is a graduate in commerce and is the recipient of the national Merit Scholarship instituted by the Government of India. |
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